Chris Peck is a composer/performer whose work has been presented extensively around the US and internationally. His works involving collaboration with contemporary dance, audience participation, various mixtures of trained and “untrained” performers, and site specificity have been performed at the Venice Biennale, Performa, ImPulsTanz, Improvised and Otherwise, The Whitney Museum, and The Kitchen, and reviewed in publications such as The New York Times and Signal to Noise. He is a third-year PhD student in Composition and Computer Technologies in the McIntire Department of Music and a Praxis Fellow at the Scholars’ Lab.